Japanese Typographic Symbols - Brackets and Quotation Marks

Brackets and Quotation Marks

JIS X 0208 JIS X 0213 Unicode Name(s) Usage
「」 2156,
2157		 1-1-54,
1-1-55		 U+300C,
U+300D

kagi (鉤?, "hook")
kagikakko (鉤括弧?, "hook brackets")

 Usual Japanese quotation marks
『』 2158,
2159		 1-1-56,
1-1-57		 U+300E,
U+300F

kagi (鉤?)
nijūkagikakko (二重鉤括弧?, "double hook brackets")

 Japanese version of double quotes, often used when indicating a book title
（） 2169,
216A		 1-1-42,
1-1-43		 U+FF08,
U+FF09

pāren (パーレン?, "parenthesis")
kakko (括弧?)
marugakko (丸括弧?, "round brackets")
shōkakko (小括弧?, "small brackets")
〔〕 216C,
216E		 1-1-44,
1-1-45		 U+3014,
U+3015

kikkō (亀甲?, "tortoise shell")

 Used to insert comments into quoted text
［］ 216D,
216E		 1-1-46,
1-1-47		 U+FF3B,
U+FF3D

kakko (括弧?)
kagikakko (かぎかっこ?)
｛｝ 216F,
2170		 1-1-48,
1-1-49		 U+FF5B,
U+FF5D

burēsu (ブレース?, "brace")
namikakko (波括弧?, "wave brackets")
nakakakko (中括弧?, "middle brackets")
〈〉 2171,
2172		 1-1-50,
1-1-51		 U+3008,
U+3009

kakko (括弧?)
yamakakko (山括弧?, "hill brackets")
gyume (ギュメ?, "guillemets")
yamagata (山がた?, "hill-shaped ")

 The name gyume comes from the guillemets
《》 2173,
2174		 1-1-52,
1-1-53		 U+300A,
U+300B

kakko (括弧?)
yamakakko (二重山括弧?, "double hill brackets")
gyume (二重ギュメ?, "double guillemets")
yamagata (二重山がた?, "double hill-shaped ")
【】 2179,
217A		 1-1-58,
1-1-59		 U+3010,
U+3011

kakko (括弧?)
sumitsukikakko (すみつきかっこ?)

 Used in headings, for example in dictionary definitions
〖〗 1-2-58,
1-2-59		 U+3016,
U+3017
〘〙 1-2-56,
1-2-57		 U+3018,
U+3019
〚〛 U+301A,
U+301B

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Famous quotes containing the words quotation marks, quotation and/or marks:

    “In the theater, while you recognized that you were looking at a house, it was a house in quotation marks. On screen, the quotation marks tend to be blotted out by the camera.”
    —Arthur Miller (b. 1915)

    “Every quotation contributes something to the stability or enlargement of the language.”
    —Samuel Johnson (1709–1784)

    “It has come to be practically a sort of rule in literature, that a man, having once shown himself capable of original writing, is entitled thenceforth to steal from the writings of others at discretion. Thought is the property of him who can entertain it; and of him who can adequately place it. A certain awkwardness marks the use of borrowed thoughts; but, as soon as we have learned what to do with them, they become our own.”
    —Ralph Waldo Emerson (1803–1882)