Landscape Painting and The Zen Garden
The influence of Zen on garden design was probably first described as such by Kuck in the early 20th century and disputed by Kuitert by the end of that century. What is not disputed is the fact that karesansui garden scenery was and still is inspired by or based on first Chinese and later also Japanese landscape paintings.
Though each garden is different in its composition, they mostly use rock groupings and shrubs to represent a classic scene of mountains, valleys and waterfalls taken from Chinese landscape painting. In some of them the view also incorporates existing scenery, e.g. the hills behind, as "borrowed scenery" (using a technique called Shakkei).
Today, ink monochrome painting still is the art form most closely associated with Zen Buddhism. A primary design principle was the creation of a landscape based on, or at least greatly influenced by, the three-dimensional monochrome ink (sumi) landscape painting, sumi-e or suiboku-ga. In Japan the garden has the same status as a work of art.
Read more about this topic: Japanese Rock Garden
Famous quotes containing the words landscape, painting, zen and/or garden:
“The air was so elastic and crystalline that it had the same effect on the landscape that a glass has on a picture, to give it an ideal remoteness and perfection.”
—Henry David Thoreau (1817–1862)
“If the man who paints only the tree, or flower, or other surface he sees before him were an artist, the king of artists would be the photographer. It is for the artist to do something beyond this: in portrait painting to put on canvas something more than the face the model wears for that one day; to paint the man, in short, as well as his features.”
—James Mcneill Whistler (1834–1903)
“Zen ... does not confuse spirituality with thinking about God while one is peeling potatoes. Zen spirituality is just to peel the potatoes.”
—Alan Watts (1915–1973)
“There’s always the hyena of morality at the garden gate, and the real wolf at the end of the street.”
—D.H. (David Herbert)