Landscape Painting and The Zen Garden
The influence of Zen on garden design was probably first described as such by Kuck in the early 20th century and disputed by Kuitert by the end of that century. What is not disputed is the fact that karesansui garden scenery was and still is inspired by or based on first Chinese and later also Japanese landscape paintings.
Though each garden is different in its composition, they mostly use rock groupings and shrubs to represent a classic scene of mountains, valleys and waterfalls taken from Chinese landscape painting. In some of them the view also incorporates existing scenery, e.g. the hills behind, as "borrowed scenery" (using a technique called Shakkei).
Today, ink monochrome painting still is the art form most closely associated with Zen Buddhism. A primary design principle was the creation of a landscape based on, or at least greatly influenced by, the three-dimensional monochrome ink (sumi) landscape painting, sumi-e or suiboku-ga. In Japan the garden has the same status as a work of art.
Read more about this topic: Japanese Rock Garden
Famous quotes containing the words landscape, painting, zen and/or garden:
“There exists a black kingdom which the eyes of man avoid because its landscape fails signally to flatter them. This darkness, which he imagines he can dispense with in describing the light, is error with its unknown characteristics.... Error is certainty’s constant companion. Error is the corollary of evidence. And anything said about truth may equally well be said about error: the delusion will be no greater.”
—Louis Aragon (1897–1982)
“Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.”
—John Berger (b. 1926)
“Zen ... does not confuse spirituality with thinking about God while one is peeling potatoes. Zen spirituality is just to peel the potatoes.”
—Alan Watts (1915–1973)
“The city mouse lives in a house;—
The garden mouse lives in a bower,”
—Christina Georgina Rossetti (1830–1894)