Style
Collier's The Art of Ingeniously Tormenting has been described as the "best-known generic satire written in the eighteenth century by a woman." She is one of the many female 18th-century authors (including Frances Burney, Sarah Fielding, Sarah Scott, and Charlotte Turner Smith) who experimented with "alternative models for relationships, for different ways of regarding others and even for ameliorating society."
As a sign of his favor for Collier's style, satiric humor, and classical learning, Henry Fielding wrote in the beginning of an edition of Horace:
- To Miss Jane Collyer,
- This Edition of the best
- of all the Roman Poets,
- as a Memorial (however poor)
- of the highest Esteem for
- an Understanding more than
- Female, mixed with virtues almost
- more than human, gives, offers up
- and dedicates her Sincere Friend
- Henry Fielding
This was one of the last works that Fielding would write because he left that evening on a trip to Lisbon where he died two months later.
Read more about this topic: Jane Collier
Famous quotes containing the word style:
“We are often struck by the force and precision of style to which hard-working men, unpracticed in writing, easily attain when required to make the effort. As if plainness and vigor and sincerity, the ornaments of style, were better learned on the farm and in the workshop than in the schools. The sentences written by such rude hands are nervous and tough, like hardened thongs, the sinews of the deer, or the roots of the pine.”
—Henry David Thoreau (1817–1862)
“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
—Cyril Connolly (1903–1974)
“Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.”
—Friedrich Nietzsche (1844–1900)