Jane Alexander - Career

Career

Alexander's major break in acting came in 1967 when she played Eleanor Backman in the original production of Howard Sackler's The Great White Hope at Arena Stage in Washington, D.C. Like her co-star, James Earl Jones, she went on to play the part both on Broadway (1968), winning a Tony Award for her performance, and in the film version (1970), which earned her an Oscar nomination. Alexander's additional screen credits include All the President's Men (1976), Kramer vs. Kramer (1979), and Testament (1983), all of which earned her Oscar nods, Brubaker (1980), The Cider House Rules (1999), and Fur (2006), in which she played Gertrude Nemerov, mother of Diane Arbus, played in the film by Nicole Kidman.

The play The Time of Your Life was revived in March 17, 1972 at the Huntington Hartford Theater in Los Angeles with Alexander, Henry Fonda, Gloria Grahame, Lewis J. Stadlen, Richard Dreyfuss, Ron Thompson, Strother Martin, Richard X. Slattery and Pepper Martin among the cast with Edwin Sherin directing.

Alexander portrayed Eleanor Roosevelt in two television productions, Eleanor and Franklin (1976) and Eleanor and Franklin: The White House Years (1977); and she played FDR's mother, Sara Delano Roosevelt, in HBO's Warm Springs (2005) with Kenneth Branagh and Cynthia Nixon, a role which garnered her an Emmy Award for Best Supporting Actress.

Alexander co-starred with Rachel Roberts in Steven Gether's teleplay and production of A Circle of Children (1977), about parents coping with their emotionally disturbed children (with an emphasis on autism), which won Gether an Emmy.

Alexander's other television films include Arthur Miller's Playing for Time, co-starring Vanessa Redgrave, for which Alexander won another Emmy Award; Malice in Wonderland (as famed gossip-monger Hedda Hopper); Blood & Orchids; and In Love and War (1987) co-starring James Woods, which tells the story of James and Sybil Stockdale during Stockdale's eight years as a US Navy Commander and prisoner of war in Vietnam. Alexander also played the protagonist, Dr. May Foster, in the HBO drama series Tell Me You Love Me. Her character, a psychotherapist, serves as the connecting link between three couples coping with relational and sexual difficulties. The show's frank portrayal of "senior" sexuality and explicit sex scenes generated controversy, although it won a rare endorsement by the AARP.

In 1993, President Bill Clinton appointed Alexander chair of the National Endowment for the Arts, the organization that had provided partial funding for The Great White Hope at Arena Stage. She also had a minor role as Dr.Graznik in The Ring(2002). Alexander moved to Washington, DC and served as chair of the NEA until 1997. Her book, Command Performance: an Actress in the Theater of Politics (2000), describes the challenges she faced heading the NEA at a time when the 104th U.S. Congress, headed by Newt Gingrich, unsuccessfully strove to shut it down. She was elected a Fellow of the American Academy of Arts and Sciences in 1999.

In 2004, Alexander, together with her husband, Edwin Sherin, joined the theater faculty at Florida State University. She serves on various boards, including the Wildlife Conservation Society, Project Greenhope, the National Stroke Association, and Women's Action for Nuclear Disarmament, and she has received the Israel Cultural Award and the Helen Caldicott Leadership Award. Alexander is also a fellow of the International Leadership Forum.

Read more about this topic:  Jane Alexander

Famous quotes containing the word career:

    The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.
    Anna Quindlen (b. 1952)

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)

    A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.
    Ishmael Reed (b. 1938)