James W. Horne - Silent Era

Silent Era

During the silent-era Horne specialized in staging thrill scenes for features and serials. On the strength of Horne's work in The Cruise of the Jasper B, Buster Keaton hired him to direct his 1927 comedy College. From there he moved to the Hal Roach studio, where he worked with Roach's leading stars, Laurel and Hardy, Charley Chase, and Our Gang. Horne's Laurel and Hardy comedies Big Business (credited to "J. Wesley Horne") and Way Out West are acclaimed as classics.

Horne also displayed an aptitude for directing Roach's foreign-language versions; the American version might be staged by James Parrott, for example, but the international version would be entrusted to Horne.

Horne left Roach in 1932 during an economic downturn that eliminated many jobs. He was hired by Universal Pictures where, for the next few years, he directed the studio's now-obscure two-reel comedies. When Universal suspended production, Horne worked briefly at Columbia Pictures and returned to Roach in 1935.

Read more about this topic:  James W. Horne

Famous quotes containing the words silent and/or era:

    O pale, pale now, those rosy lips,
    I aft hae kissed sae fondly;
    And closed for ay, the sparkling glance
    That dwalt on me sae kindly;
    And moldering now in silent dust
    That heart that lo’ed me dearly!
    Robert Burns (1759–1796)

    The fantasies inspired by TB in the last century, by cancer now, are responses to a disease thought to be intractable and capricious—that is, a disease not understood—in an era in which medicine’s central premise is that all diseases can be cured.
    Susan Sontag (b. 1933)