Pike's Reports On South Carolina
In 1873 Pike toured South Carolina and wrote a series of newspaper articles, reprinted in newspapers across the country and republished in book form in 1874 as The Prostrate State: South Carolina under Negro Government. It was a widely read and highly influential first hand account of the details of Reconstruction government in South Carolina, that systematically exposed what Pike considered to be corruption, incompetence, bribery, financial misdeeds and misbehavior in the state legislature. His critics argue the tone and emphasis is distorted and hostile toward African Americans and Grant Republicans.
The Prostrate State painted a lurid picture accusing African American lawmakers with a lack of decorum in the management of public affairs. Pike used the term "Sambo" to describe them; it became a racial slur in the 20th century.
Historian John Hope Franklin said "James S. Pike, the Maine journalist, wrote an account of misrule in South Carolina, appropriately called The Prostrate State, and painted a lurid picture of the conduct of Negro legislators and the general lack of decorum in the management of public affairs. Written so close to the period and first published as a series of newspaper pieces, The Prostrate State should perhaps not be classified as history at all. But for many years the book was regarded as authoritative—contemporary history at its best. Thanks to Robert Franklin Durden, we now know that Pike did not really attempt to tell what he saw or even what happened in South Carolina during Reconstruction. By picking and choosing from his notes those events and incidents that supported his argument, he sought to place responsibility for the failure of Reconstruction on the Grant administration and on the freedmen, whom he despised with equal passion.
Durden wrote that the fundamental clue to Pike's hostile position to African Americans in his book The Prostrate State was that "in the 1850s no less than in the 1870s, is to be found in his constant antipathy toward the Negro race."
In his biographical study of Pike, Durden concluded that Pike had been ardently "free soil" before the American Civil War because he thought that the West should belong to the white man. Durden said Pike despaired of living alongside arrogant slaveholders and their repulsive human property, and that he urged peaceful secession during the 1860-61 crisis partly because he had one eye cocked on the chance of getting rid of "mass of barbarism" and that during some of the Civil War's darker days he would have settled for a compromise peace if it meant only that a Gulf coast or Deep South "negro pen" would be lost to the Federal Union. Durden wrote that The Prostrate State made makes sense only in this context, and to the extent that Pike's racial views were representative "the Civil War and Reconstruction take on a new dimension of tragedy."
Historian Mark Summers concludes that Pike stressed the sensational, but "however maliciously and mendaciously he shaded his evidence, his accounts squared with those of his colleagues Charles Nordhoff of the New York Herald and H.P. Redfield of the Cincinnati Commercial. James Freeman Clarke, a leading Boston abolitionist, visited South Carolina and reported back to tell his Boston congregation that the facts presented by Pike, "were confirmed by every man whom I saw."
Durden (2000) reports:
- " A sweeping indictment of Republican rule in this state (and, by inference, other southern states), Pike's dramatic, "eye-witness" account gained much attention throughout the country. The book was so popular because it was seen as the work of an allegedly impartial Maine Republican and old foe of slavery who had come to his senses about the "wicked corruption" of the carpetbaggers and their "ignorant and barbaric" Negro allies. Pike's book not only played a role in the ending of Reconstruction but was much used by historians well into the twentieth century. In fact, it was far from objective, simply reflecting Pike's long-standing racism."
Read more about this topic: James Shepherd Pike
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