Career
James Michael has worked as a record producer, songwriter and/or engineer/mixer with many recording artists including Kelly Clarkson, Alanis Morissette, Meat Loaf, Mötley Crüe, Scorpions, Hilary Duff, The Rasmus, Papa Roach, Trapt, American Bang, Saliva, The Exies, Deana Carter, Sammy Hagar, Lillix, Sarah Kelly, Taylor Momsen, Halestorm, Jack's Mannequin, Brides of Destruction and Marion Raven.
He is a band member of Sixx:A.M. side project with bandmates Nikki Sixx and DJ Ashba. He is the lead vocalist, songwriter and co-writer, co-producer, mixer and multi-instrumentalist on the album The Heroin Diaries Soundtrack. He put out his first solo album in 2000 entitled "Inhale". Michael wrote and mixed the entire album and often played all of the instruments, with the exception of a few guest artists. He released the song "Los Angeloser" on May 7, 2009 on MySpace.
Michael gave the song "Los Angeloser" to Meat Loaf which was released on Meat Loaf's album "Hang Cool Teddy Bear". Michael sung backing vocals on the song.
In 2011, James Michael is full steam ahead with new projects: Producing and mixing the new Sixx:AM album which is finished and will be released on May 3, 2011; co- producing and mixing the new album by HammerFall which is done and will be release on May 20, 2011 in Europe. No release date for the USA yet, writing songs for Madam Adam’s debut Roadrunner album, writing with Halestorm for their new album, working with Papa Roach on a new song and much more. (www.jamesmichael.net)
James Michael's solo song "Learn to hate you" premiered on November 26, 2012 on YouTube and can be found on iTunes and Amazon.com for download.
James Michael has met up with Nikki Sixx and Dj Ashba to start writing songs for a new Sixx:A.M. album.
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Famous quotes containing the word career:
“John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.”
—Henry David Thoreau (1817–1862)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
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“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)