Musical Equipment and Style
Frost often states his main musical influence to be Blur and specifically guitarist Graham Coxon, his favorite Blur album is 13.
For live performances - since the departure of synthesizer player & vocalist Alex Pennie in 2007, Frost inherited performance duties of the Alesis Micron - which during the recording and performance of debut album Not Accepted Anywhere was one of 3 synthesizer keyboards used, later on This Is a Fix it was also used as well as the Paul Mullen controlled microKORG. The sounds created on the Alesis Andromeda and Roland Juno-106 for Not Accepted Anywhere since Pennies departure are recreated live on the microKORG and Alesis Micron, to control some tracks whilst playing guitar, Frost uses a Boss RC-50 Loop Station, which enables partial foot pedal control of the sounds available on the Alesis Micron. Frost uses band-mate Rob Hawkins Fender USA Jazz Bass live when performing "High Time".
Frost also uses a range of guitars for both live and recording, during the recording and touring of debut album Not Accepted Anywhere the then only guitarist of The Automatic used various models of the Gibson Les Paul as well as a Fender 1972 Thinline Telecaster in Two-Tone Sunburst, Fender Mustang 2005 Reissue in Olympic White, and in various music videos used a could be seen using a Gordon Smith GSII in Black, which he broke in 2007, and an Gibson ES-335. With the release of second album This Is a Fix and joining of second guitarist Paul Mullen, Frost began incorporating the use of Fender Telecaster Deluxe's.
For Digital Delay, Frost uses a Boss DD-6 pedal and a Line 6 DL4 Modeler stompbox, as well as using MXR M-106 6-Band Graphic EQ, and a number of Electro-Harmonix effects including an Electro-Harmonix POG, Holy Stain and Holy Grail, whilst using an Orange Channel Footswitch. During the recording of Not Accepted Anywhere, the album sleeve states that Frost uses both Orange and Marshall guitar amplifiers.
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Famous quotes containing the words musical, equipment and/or style:
“Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, “You who are so fond of hawthorns, look at this pink thorn, isn’t it lovely?””
—Marcel Proust (1871–1922)
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—Joseph O’Donnell, and Clifford Sanforth. Arthur Perry (Bela Lugosi)
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—Henry David Thoreau (1817–1862)