Writing Style
Hallmarks of his work include dense plotting and a relentlessly pessimistic—albeit moral—worldview. His work has earned Ellroy the nickname "Demon dog of American crime fiction."
Ellroy writes longhand on legal pads rather than on a computer and prepares elaborate outlines for his books, most of which are several hundred pages long.
Dialog and narration in Ellroy novels often consists of a "heightened pastiche of jazz slang, cop patois, creative profanity and drug vernacular" with a particular use of period-appropriate slang. He often employs stripped-down staccato sentence structures, a style that reaches its apex in The Cold Six Thousand and which Ellroy describes as a "direct, shorter-rather-than-longer sentence style that's declarative and ugly and right there, punching you in the nards." This signature style is not the result of a conscious experimentation but of chance and came about when he was asked by his editor to shorten his novel White Jazz from 900 pages to 350. Rather than removing any subplots, Ellroy achieved this by eliminating verbs, creating a unique style of prose. While each sentence on its own is simple, the cumulative effect is a dense, baroque style.
Read more about this topic: James Ellroy
Famous quotes containing the words writing and/or style:
“True ease in writing comes from art, not chance,
As those move easiest who have learn’d to dance.
‘Tis not enough no harshness gives offence,
The sound must seem an echo to the sense:”
—Alexander Pope (1688–1744)
“It is the style of idealism to console itself for the loss of something old with the ability to gape at something new.”
—Karl Kraus (1874–1936)