Production
Charles Laughton was a co-producer as well, and he interfered greatly with Hitchcock's direction.
Laughton was originally cast as the uncle, but he cast himself in the role of villain, which was originally to be a hypocritical preacher, but was rewritten as a squire because unsympathetic portrayals of the clergy were forbidden by the Production Code in Hollywood.
Laughton then demanded that Hitchcock give his character, Squire Pengallon, greater screen time. This forced Hitchcock to reveal that Pengallon was a villain in league with the smugglers earlier in the film than Hitchcock had initially planned.
Laughton's acting was a problem point as well for Hitchcock. Laughton portrayed the Squire as having a mincing walk, to the beat of a German waltz which he played in his head, while Hitchcock thought it was out of character.
Some good did come out of Laughton's meddling, though. He demanded that Maureen O'Hara be given the lead after watching her screen test (her acting in the screen test was sub par, but Laughton could not forget her eyes). After filming finished, Charles Laughton brought her to Hollywood to play Esmeralda opposite his Quasimodo in The Hunchback of Notre Dame, where she became an international star. In March 1939, Hitchcock moved to Hollywood to begin his contract with David O. Selznick, so Jamaica Inn was his last British picture, as well as one of his most successful.
Read more about this topic: Jamaica Inn (film)
Famous quotes containing the word production:
“[T]he asphaltum contains an exactly requisite amount of sulphides for production of rubber tires. This brown material also contains “ichthyol,” a medicinal preparation used externally, in Webster’s clarifying phrase, “as an alterant and discutient.””
—State of Utah, U.S. public relief program (1935-1943)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)