Style
Wilson's stories have greater choice than most children's books, including such difficult topics as abuse, grief, divorce, foster care and mental illness. Her prose is often interspersed with ink drawings by illustrator Nick Sharratt, who also designs the covers for her books.
She usually writes first person narrative but has occasionally experimented with alternating viewpoints, as in Secrets, The Lottie Project, Little Darlings and Double Act.
She says: " I want to write to every age group, in a way that can prepare them for what happens in the real world, and raise the awareness levels of many life changing situations. I want to be a friend, really."
Wilson, Melvin Burgess, and others have made "social realism" fashionable, Julia Eccleshare wrote in 2001 obituary of Winifred Cawley. Simply to feature "children from less affluent homes" had been almost unknown in the 1950s —when Wilson was a child reader.
Read more about this topic: Jacqueline Wilson
Famous quotes containing the word style:
“There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.”
—Gustave Flaubert (1821–1880)
“The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.”
—Edgar Allan Poe (1809–1849)
“To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.”
—Paul Goodman (1911–1972)