Jackie Gleason - Career

Career

Gleason worked his way up to a job at New York's Club 18, where insulting its patrons was the order of the day. Skater Sonja Henie was greeted by Gleason's handing her an ice cube and saying, "Okay, now do something." It was here that Jack Warner first saw Gleason, signing him to a film contract for $250 per week. By age 24 Gleason was appearing in movies: first for Warner Brothers (as Jackie C. Gleason) in such films as Navy Blues (1941) with Ann Sheridan and Martha Raye and All Through the Night (1941) with Humphrey Bogart, for Columbia Pictures for the B military comedy Tramp, Tramp, Tramp (1942) and finally for Twentieth Century-Fox, where Gleason played Glenn Miller Orchestra bassist Ben Beck in Orchestra Wives (1942). He also had a small part as a soda shop clerk in Larceny, Inc. (1942) with Edward G. Robinson, and a modest part as a commissioner in the 1942 Betty Grable-Harry James musical Springtime in the Rockies.

Gleason did not make a strong impression on Hollywood at first; at that time, however, he developed a nightclub act which included comedy and music. At the end of 1942, Gleason and Lew Parker led a large cast of entertainers in the road-show production of Olsen and Johnson's New 1943 Hellzapoppin. He also became known for hosting all-night parties in his hotel suite; the hotel soundproofed his suite out of consideration for its other guests. "Anyone who knew Jackie Gleason in the 1940s," wrote CBS historian Robert Metz, "would tell you The Fat Man would never make it. His pals at Lindy's watched him spend money as fast as he soaked up the booze." Gleason's first significant recognition as an entertainer finally came on Broadway when he appeared in the hit musical Follow the Girls (1944). While working in films in California, Gleason also worked at former boxer Maxie Rosenbloom's nightclub (Slapsy Maxie's, on Wilshire Boulevard).

Read more about this topic:  Jackie Gleason

Famous quotes containing the word career:

    Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.
    Ann Oakley (b. 1944)

    The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.
    Anna Quindlen (b. 1952)

    I’ve been in the twilight of my career longer than most people have had their career.
    Martina Navratilova (b. 1956)