Plot
Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. The film opens with an introduction of the nine cast members while they're being chased by bulls in a neighborhood. As the stampede chases them, Ryan Dunn jumps into a station wagon before a bull rips off the open door. Preston Lacy is pushed through a fence by a bull while trying to get over it. Dave England takes cover in a garbage can, which is knocked aside by a bull. Jason "Wee-Man" Acuña is knocked to the ground by a calf, and Chris Pontius is thrown into a kiddie pool by a bull's horns. Ehren McGhehey and Steve-O jump and break through a garden fence to avoid being hit. Johnny Knoxville and Bam Margera are left, and get chased into a house. Bam jumps through a window, and Johnny stops in his tracks to deliver his signature line, "Hi, I’m Johnny Knoxville, welcome to Jackass!", before being blasted through a window by several bulls, followed by the film's title appearing onscreen.
The movie finishes with Johnny Knoxville in what appears to be a hotel room with a bear trap. The set then falls down to reveal a Busby Berkeley-style movie musical production number set to the La Cage aux Folles song "The Best of Times", where the cast sing and dance while getting battered by violent stunts. As in the first film, Rip Taylor is seen at the end of the sequence claiming that he is feeling not so good because of a drink called "The Piledriver".
Read more about this topic: Jackass Number Two
Famous quotes containing the word plot:
“Ends in themselves, my letters plot no change;
They carry nothing dutiable; they won’t
Aspire, astound, establish or estrange.”
—Philip Larkin (1922–1986)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)