Art
Coughlin's portraits are regularly commissioned for the New Republic magazine and have been published in several volumes of poetry in Ireland and the United States. However, in prints and drawings from the 1960s to the present, he has also pursued a vein of imagery that is much less naturalistic and that explores a range of sources, from the anatomical drawings of George Stubbs to the grotesque hybrids of European printmakers like Francisco Goya and Martin Schongauer. In many metamorphic, dream like images, absurd and mysterious juxtapositions of the human and animal join in an irrational evolutionary journey. Here his automatic drawing practice is akin to that of the Surrealists and is wed to his interests in the existential wordplay of Samuel Beckett.
Read more about this topic: Jack Coughlin (artist)
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