Writings
- Liberation of sound (in Russian). Nakanounié. Berlin, 7 janvier 1923.
- Liberation of rhythm (en russe). Nakanounié, Berlin, 18 et 25 mars 1923.
- Quelques considérations sur l'emploi des quarts de ton en musique. Le monde musical, Paris, 30 juin 1927.
- Quartertonal music, its possibilities and organic Sources, Pro Musica Quarterly, New York, 19 octobre 1927, pp 19–31.
- Musique et Pansonorité. La revue Musicale IX, Paris, décembre 1927, pp 143.
- Manuel d'harmonie à quarts de ton, La Sirène Musical, Paris, 1932, republished by Ed. Max Eschig, Paris, 1980.
- Etude sur l'harmonie par quartes superposées. Le Ménestrel 12 juin 1935, p 125 et 19 juin 1935, p 133.
- La musique à quarts de ton et sa réalisation pratique. La Revue Musicale 171, 1937.
- L'énigme de la musique moderne. La Revue d'esthétique, Janvier-mars 1949, pp 67–85 et avril-juin 1949, pp 181–205.
- Préface à un traité d'harmonie par quartes superposées. Polyphonie 3,1949, p 56.
- Problèmes d'ultrachromatisme. Polyphonie 9–10, 1954, pp 129–142.
- Les Pianos de J. Carrillo. Guide du concert et du disque, Paris, 19 janvier 1959.
- Continuum électronique et suppression de l'interprète. Cahiers d'études de Radio Télévision, Paris, Avril 1958, pp 43–53.
- L'ultrachromatisme et les espaces non octaviants, La Revue Musicale # 290–291, pp. 71–141, Ed. Richard-Masse, Paris, 1972.
- La Loi de la Pansonorité (Manuscript, 1953), Ed. Contrechamps, Geneva, 1996. Preface by Pascal Criton, edited by Franck Jedrzejewski. ISBN 2-940068-09-7.
- Une philosophie dialectique de l'art musical (Manuscript, 1936), Ed. L'Harmattan, Paris, 2005, edited by Franck Jedrzejewski. ISBN 2-7475-8578-6.
Read more about this topic: Ivan Wyschnegradsky
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“It has come to be practically a sort of rule in literature, that a man, having once shown himself capable of original writing, is entitled thenceforth to steal from the writings of others at discretion. Thought is the property of him who can entertain it; and of him who can adequately place it. A certain awkwardness marks the use of borrowed thoughts; but, as soon as we have learned what to do with them, they become our own.”
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“A people’s literature is the great textbook for real knowledge of them. The writings of the day show the quality of the people as no historical reconstruction can.”
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