The Last Ten Years (1926-1936)
In 1929, Fomin relocated to Moscow. There, he completes the Dynamo building, an experiment halfway between modern art and his own neoclassicism. The building, using steel frame and concrete slab floors, looks like an industrial object, but the paired columns, Fomin's trademark, give away its classical origin. In 1933, when all Moscow architects were assigned to 20 Mossovet workshops, Fomin is appointed to lead Design Workshop No.3. Here, he designed his three last projects (two will be completed after his death).
According to Selim Khan-Magomedov, Fomin was one of the two forerunners of so-called postconstructivism, an early stage of Stalinist architecture (the other was Ilya Golosov). Postconstructivism is defined as classical shapes without classical details, an attempt to reinvent new styling to replace classical order. Fomin eventually disposed with it in favor of true neoclassicism (as did all Stalinist architecture).
Fomin took part in all of the major architectural contests of his time:
- 1932-34 Kursky Rail Terminal
- 1932-33 Palace of Soviets
- 1934 Narkomtiazhprom
- 1934 Moscow Metro first stage.
He did win and completed one of the Metro jobs. Palace of Soviets was won by Boris Iofan, construction began with enormous publicity but was terminated by German attack of 1941. Other two contests didn't get beyond concept drafts.
Unlike Ivan Zholtovsky, who abstained from the lowly work on subway stations, Fomin eagerly joined the contest for the Metro. He competed on the Krasniye Vorota (Red Gates) against former constructivist Ilya Golosov, whose entry appeared to be a true Doric Greek classic. Unfortunately for Golosov, exremely hard geological conditions required heavy, wide support pylons. His otherwise fine draft was not feasible for 1935 technology, giving way to Fomin's simple red granite design - a tribute to the old Red Gates, demolished in 1932. This station opened to public in 1935, while Fomin was alive. He designed one more station, Teatralnaya (then Ploschad Sverdlova), which was completed two years after his death.
His last project on the ground, Government of Ukraine building in Kiev, was approved for construction in 1934. This 10-story building, the earliest example of true Stalin's Empire Style, was hailed as the way to build and spawned numerous imitations. A peculiar feature is the quilt-like ornament on the columns. Fomin knew very well that a 25-meter bare column will look unnatural; the quilt warms up an otherwise dull shape. Column capitals also differ from their Corynthian prototypes: at this height, he reasoned, fine Greek details would be lost, so he simplified and enlarged leaves of his ornament.
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