Work
His earliest interest lay in the study of rhetorical symbols of democracy. The source of his work was the analysis of speechmakers of totalitarian regimes around the world. His desire was to decipher the power and influence of words. However, he would always return to his fascination with technology and communications.
De Sola Pool eventually became the leading authority on the social and political effects of communications. In 1973, his name appeared in The Communications Handbook, which he defined the social and political effects of technological advances in a chapter called "Public Opinion." In 1983, Pool proved to be at the forefront of technological movement with his publications, such as "Forecasting Telephone and Communication Flows."
Pool was reunited with his former mentors Roger Hurwitz and Hirshue Inose to co-author the work A Census of Japan and the US. This would become one of his last forays into the literary world. He once again defined demand toward a global information society.
De Sola Pool was the chair and founder of the MIT political science department. He was often pulled away from MIT to advise the United States and other governments on various matters. In 1965, he wrote "The Kaiser, the Tsar, and the Computer," an essay about a computer-simulated international crisis. Later, his interest in quantitative analysis and communications would contribute to computer models to study human behavior.
The idea of freedom in all forms was extremely important to Pool. As a young man, Pool was a devout Trotskyite, though he quickly became disillusioned with this form of politics after seeing people's ideals used to take away the freedom for which they had initially fought.
Read more about this topic: Ithiel De Sola Pool
Famous quotes containing the word work:
“Since ... six weeks ago, there has been no day in which I have not had letters and visits on the subject of my nomination for the Presidency.... I say very little. I have in no instance encouraged any one to work to that end.... I have said the whole talk about me is on the score of availability. Let availability do the work then.”
—Rutherford Birchard Hayes (1822–1893)
“The literary critic, or the critic of any other specific form of artistic expression, may detach himself from the world for as long as the work of art he is contemplating appears to do the same.”
—Clive James (b. 1939)
“But I must needs take my petulance, contrasting it with my accustomed morning hopefulness, as a sign of the ageing of appetite, of a decay in the very capacity of enjoyment. We need some imaginative stimulus, some not impossible ideal which may shape vague hope, and transform it into effective desire, to carry us year after year, without disgust, through the routine- work which is so large a part of life.”
—Walter Pater (1839–1894)