Italian Renaissance Painting - Influence of Italian Renaissance Painting

Influence of Italian Renaissance Painting

Michelangelo and Titian both lived into the second half of the 16th century. Both saw their styles and those of Leonardo, Mantegna, Giovanni Bellini, Antonello da Messina and Raphael adapted by later painters to form a disparate style known as Mannerism, and move steadily towards the great outpouring of imagination and painterly virtuosity of the Baroque period.

The artist who most extended the trends in Titian's large figurative compositions is Tintoretto, although his personal manner was such that he only lasted nine days as Titian's apprentice. Rembrandt's knowledge of the works of both Titian and Raphael is apparent in his portraits. The direct influences of Leonardo and Raphael upon their own pupils was to effect generations of artists including Poussin and schools of Classical painters of the 18th and 19th centuries. Antonello da Messina's work had a direct influence on Albrecht Dürer and Martin Schongauer and through the latter's engravings, countless artists including the German, Dutch and English schools of stained glass makers extending into the early 20th century.

Michelangelo's Sistine Chapel ceiling and later The Last Judgment had direct influence on the figurative compositions firstly of Raphael and his pupils and then almost every subsequent 16th century painter who looked for new and interesting ways to depict the human form. It is possible to trace his style of figurative composition through Andrea del Sarto, Pontormo, Bronzino, Parmigianino, Veronese, to el Greco, Carracci, Caravaggio, Rubens, Poussin and Tiepolo to both the Classical and the Romantic painters of the 19th century such as Jacques Louis David and Delacroix.

Under the influence of the Italian Renaissance painting, many modern academies of art, such as the Royal Academy, were founded, and it was specifically to collect the works of the Italian Renaissance that some of the world's best known art collections, such as the National Gallery, London, were formed.

Phillip IV of Spain by Diego Velázquez, 17th century
Baron Heathfield, Lord Warden of Gibraltar by Joshua Reynolds, 18th century
Chef de l'Hôtel Chatham, William Orpen, 20th century

Read more about this topic:  Italian Renaissance Painting

Famous quotes containing the words influence of, influence, italian and/or painting:

    Standing armies can never consist of resolute robust men; they may be well-disciplined machines, but they will seldom contain men under the influence of strong passions, or with very vigorous faculties.
    Mary Wollstonecraft (1759–1797)

    The adolescent does not develop her identity and individuality by moving outside her family. She is not triggered by some magic unconscious dynamic whereby she rejects her family in favour of her peers or of a larger society.... She continues to develop in relation to her parents. Her mother continues to have more influence over her than either her father or her friends.
    Terri Apter (20th century)

    If the study of his images
    Is the study of man, this image of Saturday,
    This Italian symbol, this Southern landscape, is like
    A waking, as in images we awake,
    Within the very object that we seek,
    Participants of its being.
    Wallace Stevens (1879–1955)

    In Holland, everyone is an expert in painting and in tulips.
    Albert Camus (1913–1960)