Literature
The Italian language, promoted by the Corsican Italians, had been the language of culture in Corsica since the Renaissance. Many Corsican authors wrote an extensive literature in Italian in the last centuries.
In the 14th century there was La Cronica of Giovanni della Grossa (1388-1464), Pier Antonio Monteggiani (1464-1525) and Marcantoni Ceccaldi (1526-1559). Storia di Corsica was published in 1594 by Anton Pietro Filippini. In the 15th and 16th centuries there were Ignazio Cardini (1566-1602), Pietro Cirneo (1447-1507), Guiglielmo Guglielmi di Orezza (1644-1728) with A Malannata and Ottave giocose.
In the 18th century, the Accademia dei Vagabondi was founded in Bastia, following the model of the Italian "Accademie". Angelo Francesco Colonna wrote Commentario delle glorie e prerogative del Regno e Popoli di Corsica in 1685.
During the Corsican Republic of Pasquale Paoli, there were Giulio Matteo Natali (Disinganno intorno alla Guerra de Corsica in 1736), Don Gregorio Salvini (Giustificazione della Revoluzione di Corsica (1758-1764)) and the same Pasquale Paoli (Corrispondenza (published only in 1846).
During the 19th century in Bastia, Salvatore Viale wrote La Dionomachia in 1817, Canti popolari corsi in 1843 and Dell'uso della lingua patria in Corsica in 1858.
Many Corsican authors (who wrote in Italian) were influenced by the ideals of the Italian Risorgimento during the second half of the 19th century, such as Giuseppe Multado, Gian Paolo Borghetti, Francesco Ottaviano Renucci (Storia della Corsica dal 1789 al 1830 and Novelle storiche corse). Even the Italian Nicolo Tommaseo collected the Canti popolari corsi (with points of view of Italian irredentism) and made a compilation of the letters (Lettere di Pasquale de Paoli) of Pasquale Paoli.
Santu Casanova founded the famous literary review A Tramuntana (published in Ajaccio between 1896 and 1914) and wrote in Italian Meraviglioso testamento di Francesco in 1875 and La morte ed il funerale di Spanetto in 1892. He is considered the link between the old generations of Corsican writers who wrote in Italian language and the new ones, who started to use the Corsican language.
During the first half of the 20th century, the most important Corsican publication in Italian was the literary review A Muvra of Petru Rocca. Other Corsican authors in Italian were Versini Maiastrale, Matteu Rocca (I lucchetti in 1925), Dumenicu Carlotti (Pampame corse in 1926), Ageniu Grimaldi and Ugo Babbiziu (Una filza di francesismi colti nelle parlate dialettali corse in 1930).
The Corsican Italians who promoted the ideal of Corsican irredentism published mainly in Italy, because of the persecutions from the French regime in the island in the first half of the 20th century.
Thus, Petru Giovacchini wrote the poems Musa Canalinca and Rime notturne in 1933 in Corsica, but successively wrote and published Aurore, poesie corse, Corsica Nostra and Archiatri pontifici corsi in Rome (the last, while he was in exile in 1951, a few years before his premature death).
The irredentist Marco Angeli published in Milano Gigli di Stagnu and Liriche corse in 1934 and Bertino Poli wrote Il pensiero irredentista corso e le sue polemiche in Florence in 1940.
Read more about this topic: Italian Irredentism In Corsica
Famous quotes containing the word literature:
“The contemporary thing in art and literature is the thing which doesn’t make enough difference to the people of that generation so that they can accept it or reject it.”
—Gertrude Stein (1874–1946)
“As a man has no right to kill one of his children if it is diseased or insane, so a man who has made the gradual and conscious expression of his personality in literature the aim of his life, has no right to suppress himself any carefully considered work which seemed good enough when it was written. Suppression, if it is deserved, will come rapidly enough from the same causes that suppress the unworthy members of a man’s family.”
—J.M. (John Millington)
“A people’s literature is the great textbook for real knowledge of them. The writings of the day show the quality of the people as no historical reconstruction can.”
—Edith Hamilton (1867–1963)