Art
- Islamic calligraphy
- Islamic pottery
- Muslim music
Islamic art, a part of the Islamic studies, has throughout history has been mainly abstract and decorative, portraying geometric, floral, Arabesque, and calligraphic designs. Unlike the strong tradition of portraying the human figure in Christian art, Islamic art is typically distinguished as not including depictions of human beings. The lack of portraiture is due to the fact that early Islam forbade the painting of human beings, especially the Prophet, as Muslims believe this tempts followers of the Prophet to idolatry. This prohibition against human beings or icons is called aniconism. Despite such a prohibition, depictions of human beings do occur Islamic art, such as that of the Mughals, demonstrating a strong diversity in popular interpretation over the pre-modern period. Increased contact with the Western civilization may also have contributed to human depictions in Islamic art in modern times.
Read more about this topic: Islam Sciences, Themes
Famous quotes containing the word art:
“War was return of earth to ugly earth,
War was foundering of sublimities,
Extinction of each happy art and faith
By which the world had still kept head in air.”
—Robert Graves (1895–1985)
“Semantically, taste is rich and confusing, its etymology as odd and interesting as that of “style.” But while style—deriving from the stylus or pointed rod which Roman scribes used to make marks on wax tablets—suggests activity, taste is more passive.... Etymologically, the word we use derives from the Old French, meaning touch or feel, a sense that is preserved in the current Italian word for a keyboard, tastiera.”
—Stephen Bayley, British historian, art critic. “Taste: The Story of an Idea,” Taste: The Secret Meaning of Things, Random House (1991)
“Blow, blow, thou winter wind!
Thou art not so unkind
As man’s ingratitude;
Thy tooth is not so keen
Because thou art not seen,
Although thy breath be rude.”
—William Shakespeare (1564–1616)