Works
De Lara was a moderately prolific composer, producing a total of 13 operas, 67 vocal art songs, and a small amount of chamber music. His musical style was highly eclectic, although the influences of Jules Massenet and Camille Saint-Saëns are readily apparent within his operas. Musicologist Nigel Burton wrote, "His style may be said to have developed, but it never really settled down." The somewhat erratic side to his writing was a weakness and a strength. The fluctuating musical vocabulary in his writing enabled him to create any attitude, emotion, or impression at a moment’s notice, but at times the musical effects seem out of place or without cause; a criticism also made of Meyerbeer. Critics have also commented on de Lara's tendency towards over sentimentality. As one critic said, "at the moments when the music should attempt to rise to dramatic greatness, it degenerates into synthetic posturings." However, de Lara by all accounts had a wonderful musical ear and at his best he is a fine composer. Perhaps de Lara's strongest area was his skill at orchestration which was both tasteful and highly creative at the same time.
Read more about this topic: Isidore De Lara
Famous quotes containing the word works:
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (1856–1950)
“The man who builds a factory builds a temple, that the man who works there worships there, and to each is due, not scorn and blame, but reverence and praise.”
—Calvin Coolidge (1872–1933)
“And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.”
—Ron Taffel (20th century)