Music
The first half of the piece has the same concept of "Hey You", being a distress call from Pink. The second half is instrumental. An interesting part of the song is the classical guitar solo, as it is not widely known who played it. In several interviews, David Gilmour said that he tried to perform it, and was not satisfied with the final result ("I could play it with a leather pick but couldn't play it properly fingerstyle"). Accordingly, session musician Ron Di Blasi was brought in by Michael Kamen to play with the rest of the orchestra. Gilmour also says that the song was composed by Bob Ezrin, with the understanding that Roger Waters would receive credit. The shrill siren-like sound effect used during this song is also used in an earlier Pink Floyd work, "Echoes". The noise was originally used as a sort of whale call for the deep-water-based "Echoes", and is created by Gilmour using a wah-wah pedal with the cables reversed. The guitarist in the song, Joe DiBlasi, is often referred to as "Ron DiBlasi" because Roger Waters only remembered that it was a three-letter name; Ron was the closest name he could remember to Joe when creating the record.
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Famous quotes containing the word music:
“We often love to think now of the life of men on beaches,—at least in midsummer, when the weather is serene; their sunny lives on the sand, amid the beach-grass and bayberries, their companion a cow, their wealth a jag of driftwood or a few beach plums, and their music the surf and the peep of the beech-bird.”
—Henry David Thoreau (1817–1862)
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“People today are still living off the table scraps of the sixties. They are still being passed around—the music and the ideas.”
—Bob Dylan [Robert Allen Zimmerman] (b. 1941)