Music
The first half of the piece has the same concept of "Hey You", being a distress call from Pink. The second half is instrumental. An interesting part of the song is the classical guitar solo, as it is not widely known who played it. In several interviews, David Gilmour said that he tried to perform it, and was not satisfied with the final result ("I could play it with a leather pick but couldn't play it properly fingerstyle"). Accordingly, session musician Ron Di Blasi was brought in by Michael Kamen to play with the rest of the orchestra. Gilmour also says that the song was composed by Bob Ezrin, with the understanding that Roger Waters would receive credit. The shrill siren-like sound effect used during this song is also used in an earlier Pink Floyd work, "Echoes". The noise was originally used as a sort of whale call for the deep-water-based "Echoes", and is created by Gilmour using a wah-wah pedal with the cables reversed. The guitarist in the song, Joe DiBlasi, is often referred to as "Ron DiBlasi" because Roger Waters only remembered that it was a three-letter name; Ron was the closest name he could remember to Joe when creating the record.
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Famous quotes containing the word music:
“I fear I agree with your friend in not liking all sermons. Some of them, one has to confess, are rubbish: but then I release my attention from the preacher, and go ahead in any line of thought he may have started: and his after-eloquence acts as a kind of accompaniment—like music while one is reading poetry, which often, to me, adds to the effect.”
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)
“Thy remembrance, and repentance, and deep musings are not free
From the music of two voices and the light of one sweet smile.”
—Percy Bysshe Shelley (1792–1822)
“For I have learned
To look on nature, not as in the hour
Of thoughtless youth, but hearing oftentimes
The still, sad music of humanity.”
—William Wordsworth (1770–1850)