Music
The first half of the piece has the same concept of "Hey You", being a distress call from Pink. The second half is instrumental. An interesting part of the song is the classical guitar solo, as it is not widely known who played it. In several interviews, David Gilmour said that he tried to perform it, and was not satisfied with the final result ("I could play it with a leather pick but couldn't play it properly fingerstyle"). Accordingly, session musician Ron Di Blasi was brought in by Michael Kamen to play with the rest of the orchestra. Gilmour also says that the song was composed by Bob Ezrin, with the understanding that Roger Waters would receive credit. The shrill siren-like sound effect used during this song is also used in an earlier Pink Floyd work, "Echoes". The noise was originally used as a sort of whale call for the deep-water-based "Echoes", and is created by Gilmour using a wah-wah pedal with the cables reversed. The guitarist in the song, Joe DiBlasi, is often referred to as "Ron DiBlasi" because Roger Waters only remembered that it was a three-letter name; Ron was the closest name he could remember to Joe when creating the record.
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Famous quotes containing the word music:
“The dignity of art probably appears most eminently with music since it does not have any material that needs to be discounted. Music is all form and content and elevates and ennobles everything that it expresses.”
—Johann Wolfgang Von Goethe (1749–1832)
“The average educated man in America has about as much knowledge of what a political idea is as he has of the principles of counterpoint. Each is a thing used in politics or music which those fellows who practise politics or music manipulate somehow. Show him one and he will deny that it is politics at all. It must be corrupt or he will not recognize it. He has only seen dried figs. He has only thought dried thoughts. A live thought or a real idea is against the rules of his mind.”
—John Jay Chapman (1862–1933)
“The sound of tireless voices is the price we pay for the right to hear the music of our own opinions. But there is also, it seems to me, a moment at which democracy must prove its capacity to act. Every man has a right to be heard; but no man has the right to strangle democracy with a single set of vocal chords.”
—Adlai Stevenson (1900–1965)