Iron Age Sword - History

History

The Proto-Celtic Hallstatt culture (8th century BC) figured among the early users of iron swords. During the Hallstatt period, the same swords were made both in bronze and in iron. At the end of the Hallstatt period, around 600-500BC, swords were replaced with short daggers. The La Tene culture reintroduced the sword, which was very different from the traditional shape and construction of the Bronze Age and early Iron Age, and much more like the later swords that developed from them.

The iron versions of the Scythian/Persian Acinaces appears from ca. the 6th century BC. In Classical Antiquity and the Parthian and Sassanid Empires in Iran, iron swords were common. The Greek xiphos and the Roman gladius are typical examples of the type, measuring some 60 to 70 cm. The late Roman Empire introduced the longer spatha (the term for its wielder, spatharius, became a court rank in Constantinople).

Chinese steel swords make their appearance from the 3rd century BC Qin Dynasty, although earlier iron swords are also known from the Zhou dynasty. The Chinese Dao (刀 pinyin dāo) is single-edged, sometimes translated as sabre or broadsword, and the Jian (劍 pinyin jiàn) double edged.

Read more about this topic:  Iron Age Sword

Famous quotes containing the word history:

    The greatest horrors in the history of mankind are not due to the ambition of the Napoleons or the vengeance of the Agamemnons, but to the doctrinaire philosophers. The theories of the sentimentalist Rousseau inspired the integrity of the passionless Robespierre. The cold-blooded calculations of Karl Marx led to the judicial and business-like operations of the Cheka.
    Aleister Crowley (1875–1947)

    It gives me the greatest pleasure to say, as I do from the bottom of my heart, that never in the history of the country, in any crisis and under any conditions, have our Jewish fellow citizens failed to live up to the highest standards of citizenship and patriotism.
    William Howard Taft (1857–1930)

    There is a constant in the average American imagination and taste, for which the past must be preserved and celebrated in full-scale authentic copy; a philosophy of immortality as duplication. It dominates the relation with the self, with the past, not infrequently with the present, always with History and, even, with the European tradition.
    Umberto Eco (b. 1932)