Composition
IUPHAR members are national societies from around the world, however, the various sections and committees are composed of individuals from academia, pharmaceutical companies, and government organizations, all working together to advance the field. The Division of Clinical Pharmacology focuses on the needs and research tools for clinicians. The Committee on Receptor Nomenclature and Drug Classification (NC-IUPHAR) facilitates the interface between the discovery of new sequences from the Human Genome Project and the designation of the derived proteins as functional receptors and ion channels. In other words, as new discoveries are made in pharmacology, NC-IUPHAR provides a uniform guideline for naming and classifying the results in the public domain. Sections specializing in various areas of pharmacology have been established, including Education, Drug Metabolism and Drug Transport, Gastrointestinal Pharmacology, Natural Products, Pediatric Clinical Pharmacology and Pharmacogenetics.
Read more about this topic: International Union Of Basic And Clinical Pharmacology
Famous quotes containing the word composition:
“Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.”
—Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)
“At painful times, when composition is impossible and reading is not enough, grammars and dictionaries are excellent for distraction.”
—Elizabeth Barrett Browning (1806–1861)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)