The International Standard Music Number or ISMN (ISO 10957) is a thirteen-character alphanumeric identifier for printed music developed by ISO. The original proposal for an ISMN was made by the UK Branch of IAML (International Association of Music Libraries, Archives and Documentation Centres), put forward by Alan Pope (Blackwell's Music Department, Oxford), Malcolm Lewis (music librarian in Nottingham) and Malcolm Jones (music librarian in Birmingham). A draft ISMN structure and application was presented at the 1987 IAML conference in Amsterdam, then after further discussions at the 1989 IAML conference in Oxford it was decided that the UK, French and German branches should, through their respective national standards bodies (BSI, AFNOR and DIN) file ISMN as an ISO work project. After meetings in Ottawa and Paris in 1993 the draft was finalized and published by ISO.
The original format comprised four elements: a distinguishing prefix M, a publisher ID, an item ID and a check digit, typically looking like M-2306-7118-7. From 1 January 2008 the ISMN was defined as a thirteen digit identifier beginning 979-0 where the zero replaced M in the old-style number. The resulting number is identical with its EAN-13 number as encoded in the item's barcode.
The current format comprises four blocks: the prefix 979-0 reserved for ISMNs — at some future date they are expected to occupy the remainder of the 979 space which is shared with ISBNs, a block to identify the publisher, another to identify the item and one final check digit. The TC 46/SC 9 is responsible for the standard.
A publication may be assigned both an ISBN and an ISMN. Unlike the ISBN, the ISMN does not segregate publishers by country.
Read more about International Standard Music Number: Check Digit
Famous quotes containing the words standard, music and/or number:
“As in political revolutions, so in paradigm choicethere is no standard higher than the assent of the relevant community. To discover how scientific revolutions are effected, we shall therefore have to examine not only the impact of nature and of logic, but also the techniques of persuasive argumentation effective within the quite special groups that constitute the community of scientists.”
—Thomas S. Kuhn (b. 1922)
“Music is either sacred or secular. The sacred agrees with its dignity, and here has its greatest effect on life, an effect that remains the same through all ages and epochs. Secular music should be cheerful throughout.”
—Johann Wolfgang Von Goethe (17491832)
“Computers are good at swift, accurate computation and at storing great masses of information. The brain, on the other hand, is not as efficient a number cruncher and its memory is often highly fallible; a basic inexactness is built into its design. The brains strong point is its flexibility. It is unsurpassed at making shrewd guesses and at grasping the total meaning of information presented to it.”
—Jeremy Campbell (b. 1931)