Criticism
Criticism of Amnesty International includes claims of excessive pay for management, underprotection of overseas staff, associating with organisations with a dubious record on human rights protection, selection bias, ideological/foreign policy bias against either non-Western countries or Western-supported countries, criticism of Amnesty's policies relating to abortion, and assertion that "defensive jihad" is not antithetical to human rights, Governments who have criticised Amnesty include those of Canada, Israel, Iran, Saudi Arabia, the Democratic Republic of the Congo, the People's Republic of China, Vietnam, Russia and the United States, for what they assert is one-sided reporting or a failure to treat threats to security as a mitigating factor. The actions of these governments—and of other governments critical of Amnesty International—have been the subject of human rights concerns voiced by Amnesty. As of February 2011, Amnesty is engaged in a dispute with the British union Unite over Amnesty allegedly attempting to de-recognize some of its foreign-based workers' rights.
Read more about this topic: International Secretariat Of Amnesty International
Famous quotes containing the word criticism:
“I, with other Americans, have perhaps unduly resented the stream of criticism of American life ... more particularly have I resented the sneers at Main Street. For I have known that in the cottages that lay behind the street rested the strength of our national character.”
—Herbert Hoover (1874–1964)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)