Peak of The Movement
In a period lasting approximately between 1390 and 1420 there was a particularly close correspondence between works produced far apart in Europe. In the north the miniatures of the Très Riches Heures Limbourg brothers, in Italy the Adoration of the Magi of Lorenzo Monaco, and sculpture and miniatures in many countries show very stylised tall figures, the older men with imposingly long beards and swaying figures. Exotic clothes, based loosely on those of the contemporary Middle East or Byzantine Empire, are worn by figures in biblical scenes; many figures seem to be included just to show off these costumes. The number of figures in many standard religious scenes is greatly increased; the Magi have large retinues, and the Crucifixion often becomes a crowded event. This innovation was to survive the style itself.
-
Statue of Moses, ca. 1390, Toruń, Poland
-
Conrad von Soest, based in Dortmund Germany, Crucifixion, 1403
-
The Meeting of the Magi from the Très Riches Heures by the Limbourg brothers, from the Northern Netherlands but working in France.
-
Lorenzo Monaco, Adoration of the Magi, 1420–22
Read more about this topic: International Gothic
Famous quotes containing the words peak of, peak and/or movement:
“You know, I often thought that the gangster and the artist are the same in the eyes of the masses. They’re admired and hero-worshipped but there is always present underlying desire to see them destroyed at the peak of their glory.”
—Stanley Kubrick (b. 1928)
“In the mountains, the shortest way is from peak to peak: but for that you must have long legs. Aphorisms should be peaks: and those to whom they are addressed, great and lofty.”
—Friedrich Nietzsche (1844–1900)
“The sadness of the women’s movement is that they don’t allow the necessity of love. See, I don’t personally trust any revolution where love is not allowed.”
—Maya Angelou (b. 1928)