Modern Art Movement
Iranian experience and development of modernity led to a unique style of cinema, painting and music. Iranian New wave, a movement in Iranian cinema, has found worldwide reputation due to its deeply Philosophical, poetic and artistic style. Abbas Kiarostami is the most notable figure in the New wave of Iranian cinema. In the artistic and aesthetic realm, features of New wave of Persian cinema, for example the works of Abbas Kiarostami, can be classified as postmodern.
In his book Close Up: Iranian Cinema, Past, Present, Future (2001) Hamid Dabashi describes modern Iranian cinema and the phenomenon of national cinema as a form of cultural modernity. According to Dabashi, "the visual possibility of seeing the historical person (as opposed to the eternal Qur'anic man) on screen is arguably the single most important event allowing Iranians access to modernity."
Mehdi Saeedi, is an internationally renowned artist and designer. His aesthetics have become a mainstay of design in many regions, especially in those using the Arabic script as their alphabet. And on November (2009) he won Grand Price for the Five Star Designers at International Invitational Poster Triennial in Osaka, Japan .
On 13 December 2006, graphic designer, Reza Abedini, received the Principal Award in the Prince Claus Awards for his way of applying the knowledge and accomplishments of Iran's artistic heritage, renewing them, and making them exciting again. Reza Abedini's Persian Sym style unites the rich calligraphic tradition of Persian culture with "modernity".
It is believed that Ebrahim Golestan, Fereydoon Rahnama and Farrokh Ghaffari founded Iran's "different" cinematic style and Iranian intellectual movement in the 20th century.
Marcos Grigorian and Hossein Zenderoudi were pioneers of Iranian modern painting and Sculpture.
Read more about this topic: Intellectual Movements In Iran
Famous quotes containing the words modern art, modern, art and/or movement:
“The modern artist must live by craft and violence. His gods are violent gods.... Those artists, so called, whose work does not show this strife, are uninteresting.”
—Ezra Pound (1885–1972)
“... for the modern soul, for which it is mere child’s play to bridge oceans and continents, there is nothing so impossible as to find the contact with the souls dwelling just around the corner.”
—Robert Musil (1880–1942)
“Our art is the finest, the noblest, the most suggestive, for it is the synthesis of all the arts. Sculpture, painting, literature, elocution, architecture, and music are its natural tools. But while it needs all of those artistic manifestations in order to be its whole self, it asks of its priest or priestess one indispensable virtue: “faith.””
—Sarah Bernhardt (1845–1923)
“I am a writer and a feminist, and the two seem to be constantly in conflict.... ever since I became loosely involved with it, it has seemed to me one of the recurring ironies of this movement that there is no way to tell the truth about it without, in some small way, seeming to hurt it.”
—Nora Ephron (b. 1941)