Comparison To Standard Office Paper
Standard office paper has traditionally been designed for use with typewriters and copy machines, where the paper usually does not get wet. With these types of paper, moisture tends to wick through the fibers away from the point of contact to form a disk. For an inkjet paper, this spreading results in the ink spreading out in the fibers to form a large smudge which lacks pigment intensity.
High-quality inkjet printing with dark, crisp lines requires the paper to have exactly the right degree of absorbency to accept the ink but prevent its sideways spread. Many general-purpose office papers of weights around 21 to 27 lb (80–100 g/m²) have been reformulated so that they can be used equally well with both inkjet and laser printers. However, this category of paper is only suitable for printing text, because the ink load is light.
When paper is manufactured, it is formed from a fiber mat that collects on an open mesh screen, which is then dried and pressed flat and smooth. Large areas of inkjet color, such as found in graphics and photographs, soak the paper fibers with so much moisture that they swell and return to their original shape from before pressing, resulting in a wavy buckling of the paper surface.
Double-sided inkjet printing is usually not possible with inexpensive low-weight copy paper because of bleed-through from one side to the other. Heavier weight paper works better due to the thickness of the fibers limiting bleed-through.
These papers are also unsuitable for photographic work because standard office paper is usually not "white" enough. This results in a poor color gamut and leads to colors being described as "muddy".
For all types of paper, the settings in the printer driver must be adjusted to suit the paper, so that the right amount of ink is delivered.
Read more about this topic: Inkjet Paper
Famous quotes containing the words comparison to, comparison, standard, office and/or paper:
“It is very important not to become hard. The artist must always have one skin too few in comparison to other people, so you feel the slightest wind.”
—Shusha Guppy (b. 1938)
“It is very important not to become hard. The artist must always have one skin too few in comparison to other people, so you feel the slightest wind.”
—Shusha Guppy (b. 1938)
“I find it interesting that the meanest life, the poorest existence, is attributed to God’s will, but as human beings become more affluent, as their living standard and style begin to ascend the material scale, God descends the scale of responsibility at a commensurate speed.”
—Maya Angelou (b. 1928)
“The dissident does not operate in the realm of genuine power at all. He is not seeking power. He has no desire for office and does not gather votes. He does not attempt to charm the public, he offers nothing and promises nothing. He can offer, if anything, only his own skin—and he offers it solely because he has no other way of affirming the truth he stands for. His actions simply articulate his dignity as a citizen, regardless of the cost.”
—Václav Havel (b. 1936)
“All the reputedly powerful reactionaries are merely paper tigers. The reason is that they are divorced from the people. Look! Was not Hitler a paper tiger? Was Hitler not overthrown?... U.S. imperialism has not yet been overthrown and it has the atomic bomb. I believe it also will be overthrown. It, too, is a paper tiger.”
—Mao Zedong (1893–1976)