Plot
The narrator (ostensibly Strindberg, although his narrative variably coheres with and diverges from historical truth), spends most of the novel in Paris, isolated from his wife (Frida Uhl), children, and friends. He associates with a circle of Parisian artists and writers (including Paul Gauguin and Edvard Munch), but often fears they are ridiculing and persecuting him. In his isolation, Strindberg successfully attempts alchemical experiments, and has his work published in prominent journals. He fears, however, that his secrets will be stolen, and his persecution mania worsens, believing that his enemies are attacking him with 'infernal machines.' He also dabbles in the occult, at one point casting a black magic spell on his own distanced daughter.
Throughout his studies and adventures, Strindberg believes himself guided by mysterious forces (attributing them sometimes to God, Fate, or vaguer origins). When returning to Sweden to see his daughter, Strindberg is introduced to German mythology and the teachings of Swedenborg, which both influence his fatalistic beliefs and delusions. Through this newfound imagery, Strindberg sees his life as a living hell, hence the novel's title.
Read more about this topic: Inferno (Strindberg)
Famous quotes containing the word plot:
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“There saw I how the secret felon wrought,
And treason labouring in the traitor’s thought,
And midwife Time the ripened plot to murder brought.”
—Geoffrey Chaucer (1340?–1400)