Infernal Affairs III - Reception

Reception

Despite grossing higher than the second film at the box office with HKD 30,225,661 (over HKD 5 million more than Infernal Affairs II), Infernal Affairs III received lower ratings than the former. Channel 4 awarded the film a 3 out of 5 rating. The plot is also seen as confusing due to the constant flashbacks depicting Chan Wing-yan alive.

LoveHKFilm rated the film as pushing beyond its original intentions, leaving more questions than answering them at the end of the run. While a relatively enjoyable film, it was obviously commercialized, citing scenes where all lead actors are crammed into one room or bringing back characters who were killed in the previous film in order to garner screentime for them. Although Tony Leung won the Best Actor award at the Hong Kong Film Awards and the Golden Horse Awards for his portrayal of Chan Wing-yan in the original Infernal Affairs, Andy Lau was the one who won the Best Actor award at the 41st Golden Horse Awards for his portrayal of Lau Kin-ming in Infernal Affairs III.

There are two cuts of the film: a 107-minute version which was released in Hong Kong theatres, and a 118-minute version, which is the directors' cut. Both are available on DVD. According to LoveHKFilm, the longer version is the superior cut.

Read more about this topic:  Infernal Affairs III

Famous quotes containing the word reception:

    He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!
    Billy Wilder (b. 1906)

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
    Walter Pater (1839–1894)

    Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.
    Rémy De Gourmont (1858–1915)