Individual Events (speech) - Individual Events - Public Address Events - Communication Analysis/Rhetorical Criticism

Communication Analysis/Rhetorical Criticism

Communication Analysis (CA), or Rhetorical Criticism (Rhet Crit) is an individual event in which the speaker (or rhetor) has ten minutes to present the speech. The speech structure usually consists of: an introduction, presenting a rhetorical artifact, a discussion of a communication theory or model, application of the communication theory to the artifact, implications of that analysis, and a conclusion.

The artifact may be anything that has rhetorical significance: a book, a speech, an advertising campaign, a protest movement, etc. The rhetor identifies the goals the artifact seeks to accomplish. He or she then selects a model form of analysis - typically borrowed from communication scholars - to determine the effectiveness of the artifact in reaching its goals. For instance, in analyzing an anti-smoking campaign, the rhetor might opt for a model discussing the most effective methods of employing fear in persuading a mass audience.

The rhetor would then apply the model to the artifact and draw various conclusions about the artifact's strengths and weaknesses, the success or failure of the model as an analytical tool and other insight gained from the analysis.

Most high school competitions do not include these events.

Major Competitions featuring CA/Rhet Crit: College - AFA (American Forensics Association) where it is referred to Communication Analysis, NFA (National Forensics Association) where it is referred to as Rhetorical Criticism, Phi Rho Pi, where it is referred to as CA.

Read more about this topic:  Individual Events (speech), Individual Events, Public Address Events

Famous quotes containing the words analysis, rhetorical and/or criticism:

    The spider-mind acquires a faculty of memory, and, with it, a singular skill of analysis and synthesis, taking apart and putting together in different relations the meshes of its trap. Man had in the beginning no power of analysis or synthesis approaching that of the spider, or even of the honey-bee; but he had acute sensibility to the higher forces.
    Henry Brooks Adams (1838–1918)

    Art has always been this—pure interrogation, rhetorical question less the rhetoric—whatever else it may have been obliged by social reality to appear.
    Samuel Beckett (1906–1989)

    A bad short story or novel or poem leaves one comparatively calm because it does not exist, unless it gets a fake prestige through being mistaken for good work. It is essentially negative, it is something that has not come through. But over bad criticism one has a sense of real calamity.
    Rebecca West (1892–1983)