Critical Reception
Bosley Crowther of the New York Times called it "neither a pleasant nor edifying film." He felt "the one exceptional component of the film" is the "brief but frank allusion to racial discrimination" which "is presented in a realistic manner, uncommon to Hollywood, by the definition of the Negro as an educated and comprehending character. Otherwise the story is pretty much of a downhill run." He added, "Director John Huston, unfortunately, has not given this story sufficient distinction . . . The telling of it is commonplace, the movement uncomfortably stiff. Olivia de Havilland gives a warm and easy performance as the good sister who wins out in the end . . . But Miss Davis, by whom the whole thing pretty much stands or falls, is much too obviously mannered for this spectator's taste . . . It is likewise very hard to see her as the sort of sultry dame that good men can't resist. In short, her evil is so theatrical and so completely inexplicable that her eventual demise in an auto accident is the happiest moment in the film."
Variety noted, "John Huston, in his second directorial assignment, provides deft delineations in the varied characters in the script. Davis is dramatically impressive in the lead but gets major assistance from Olivia de Havilland, George Brent, Dennis Morgan, Billie Burke and Hattie McDaniel. Script succeeds in presenting the inner thoughts of the scheming girl, and carries along with slick dialog and situations. Strength is added in several dramatic spots by Huston's direction."
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