"In a Sentimental Mood" is a jazz composition by Duke Ellington which is also performed as a song. Ellington composed the piece in 1931 and recorded it with his orchestra the same year. Lyrics were later written for the tune by Irving Mills and Manny Kurtz. According to Ellington, the song was born in Durham, North Carolina. "We had played a big dance in a tobacco warehouse, and afterwards a friend of mine, an executive in the North Carolina Mutual Insurance Company, threw a party for Amy. I was playing piano when another one of our friends had some trouble with two chicks. To pacify them, I composed this there and then, with one chick standing on each side of the piano." The original recording featured solos by Otto Hardwicke, Harry Carney, Lawrence Brown, and Rex Stewart.
"In a Sentimental Mood" makes use of a musical technique called contrapuntal or chromatic embellishment of static harmony. This is also sometimes referred to as a line cliché.
Ellington recorded his best-known version together with John Coltrane, which is featured on Duke Ellington and John Coltrane and Coltrane for Lovers. The Ellington and Coltrane version was performed in the key of D flat major, mainly from B flat minor 7th to E flat minor 7th, and then A flat 13th to D flat major 7th, with an interesting interlude in A major. The song has been performed by many other artists including Phyllis Hyman, Ella Fitzgerald, Sarah Vaughan, Art Tatum, Oscar Peterson, Bill Evans, Stan Getz, Django Reinhardt, Lucky Thompson, Jay McShann, Benny Goodman, Pedro Rossi, Billy Joel, Nancy Wilson, Dr. John, Sonny Rollins, Michael Brecker (Steps Ahead), Daniel Barenboim, Edvard Sađil, Larry Coryell (from his 2001 album Inner Urge), Rob Mullins, Archie Shepp, and Alex Bugnon.
Read more about In A Sentimental Mood: In Movies and Television, History and Analysis
Famous quotes containing the words sentimental and/or mood:
“What a man calls his “conscience” is merely the mental action that follows a sentimental reaction after too much wine or love.”
—Helen Rowland (1875–1950)
“This fellow is wise enough to play the fool,
And to do that well craves a kind of wit.
He must observe their mood on whom he jests,
The quality of persons, and the time,
Not, like the haggard, check at every feather
That comes before his eye. This is a practice
As full of labor as a wise man’s art.”
—William Shakespeare (1564–1616)