Process of Critical Categorising
The process of appropriating and applying such a pre-existing phrase or concept to describe new theatrical works provides a critical means of "categorizing" or "labeling", and some critics have stated, "pigeonholing", or "domesticating" ("taming") them. The creation of in-yer-face theatre parallels the history of more-prevalently accepted literary-critical coinages by critics like Martin Esslin (Theatre of the Absurd), who extended the existential philosophical concept of the Absurd to drama and theatre in his 1961 book of that title, and Irving Wardle (Comedy of menace), who borrowed the phrase from the subtitle of The Lunatic View: A Comedy of Menace, by David Campton, in 1958 reviews of productions of Campton's play and of The Birthday Party, by Harold Pinter, applying Campton's subtitle to Pinter's work.
Read more about this topic: In-yer-face Theatre
Famous quotes containing the words process of, process and/or critical:
“Language is a process of free creation; its laws and principles are fixed, but the manner in which the principles of generation are used is free and infinitely varied. Even the interpretation and use of words involves a process of free creation.”
—Noam Chomsky (b. 1928)
“Consumer wants can have bizarre, frivolous, or even immoral origins, and an admirable case can still be made for a society that seeks to satisfy them. But the case cannot stand if it is the process of satisfying wants that creates the wants.”
—John Kenneth Galbraith (b. 1908)
“An audience is never wrong. An individual member of it may be an imbecile, but a thousand imbeciles together in the dark—that is critical genius.”
—Billy Wilder (b. 1906)