The Important Intangible Cultural Properties (Jungyo Muhyeong Munhwajae, Hangul: 중요무형문화재) are aspects of intangible culture that the government of South Korea has officially designated for preservation in accordance with the 1962 Cultural Property Protection Law. They are proclaimed and maintained by South Korea's Cultural Heritage Administration.
The first item so designated was Jongmyo jeryeak, the ancient music and dance performed at the Jongmyo Royal Ancestral Shrine in Seoul; it was proclaimed on December 7, 1964. The most recent, announced on November 16, 2006, was Important Intangible Cultural Property 119, geumbakjang (gold leaf decoration), practiced in Seongnam, Gyeonggi-do.
A similarly named yet distinct designation, "Intangible Cultural Properties," also exists, with 33 items having been proclaimed. These are proclaimed by provinces or cities rather than by the national Cultural Heritage Administration.
The 1962 Cultural Property Protection Law was modelled on the Japanese 1950 Law for the Protection of Cultural Properties, which provides for the designation of Important Intangible Cultural Properties as well as the holders of these craft and performance traditions, known informally as Living National Treasures. These early initiatives at a national level influenced UNESCO in its approach to intangible cultural heritage, leading to the 2003 Convention for the Safeguarding of Intangible Cultural Heritage. As of April 2012, fourteen Korean Intangible Cultural Properties have been inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity.
Famous quotes containing the words important, intangible, cultural, properties and/or south:
“A society that has made “nostalgia” a marketable commodity on the cultural exchange quickly repudiates the suggestion that life in the past was in any important way better than life today.”
—Christopher Lasch (b. 1932)
“What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one.... It’s this in-between that I’m calling a province, this frontier country between the tangible world and the intangible one—which is really the realm of the artist.”
—Frederico Fellini (b. 1920)
“The men who are messing up their lives, their families, and their world in their quest to feel man enough are not exercising true masculinity, but a grotesque exaggeration of what they think a man is. When we see men overdoing their masculinity, we can assume that they haven’t been raised by men, that they have taken cultural stereotypes literally, and that they are scared they aren’t being manly enough.”
—Frank Pittman (20th century)
“The reason why men enter into society, is the preservation of their property; and the end why they choose and authorize a legislative, is, that there may be laws made, and rules set, as guards and fences to the properties of all the members of the society: to limit the power, and moderate the dominion, of every part and member of the society.”
—John Locke (1632–1704)
“If you are one of the hewers of wood and drawers of small weekly paychecks, your letters will have to contain some few items of news or they will be accounted dry stuff.... But if you happen to be of a literary turn of mind, or are, in any way, likely to become famous, you may settle down to an afternoon of letter-writing on nothing more sprightly in the way of news than the shifting of the wind from south to south-east.”
—Robert Benchley (1889–1945)