Imperial Noble Consort Qinggong - Biography

Biography

Imperial Noble Consort Qinggong was a Han Chinese by birth and her family name was Lu (陸). Her father was Lu Shilong (陸士隆). Born during the reign of the Yongzheng Emperor, Lady Lu entered the Forbidden City during the early reign of the Qianlong Emperor and in 1740 was given the rank of Noble Lady (貴人). In 1751 she was granted the title of Imperial Concubine Qing (慶嬪). She was further promoted to Consort Qing (慶妃) in 1759. In 1765 she joined the Qianlong Emperor and other consorts on his inspection tour to the southern Yangtze delta region. Three years later in 1768 she was elevated to the status of Noble Consort Qing (慶貴妃).

Lady Lu died in 1774 and was interred in the Yuling Mausoleum in the Eastern Qing Tombs. In 1796 the Qianlong Emperor abdicated in favour of his son Yongyan and became a Retired Emperor while Yongyan was enthroned as the Jiaqing Emperor. As the Jiaqing Emperor was raised by Lady Lu in his childhood, he felt grateful to her and in 1799 he posthumously honoured her as Imperial Noble Consort Qinggong (慶恭皇貴妃).

Read more about this topic:  Imperial Noble Consort Qinggong

Famous quotes containing the word biography:

    As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.
    Henry David Thoreau (1817–1862)

    Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.
    Rebecca West [Cicily Isabel Fairfield] (1892–1983)

    A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.
    André Maurois (1885–1967)