Forms of Imagery (with Examples)
Auditory imagery represents a sound.
- The bells chimed 2 o'clock and Daniel got ready for school.
- Onomatopoeia: a word that makes a sound.
Kinesthetic imagery represents movement
- as in Wordsworth's poem Daffodils: "tossing their heads in sprightly dance"
Olfactory imagery represents a smell.
- Gio's socks, still soaked with sweat from Tuesday's P.E. class, filled the classroom with an aroma akin to that of salty, week-old, rotting fish.
Gustatory imagery represents a taste.
- The sweet marinara sauce makes up for the bland sea-shell pasta that Jeffrey served.
- Tumbling through the ocean water after being overtaken by the monstrous wave, Mark unintentionally took a gulp of the briny, bitter mass, causing him to cough and gag.
Tactile imagery represents touch.
- Yalimar dug her feet into the wet sand, burying her toes inside the beach as cold waves lapped at her ankles.
- The clay oozed between Jeremy's fingers as he let out a squeal of pure glee.
Imagery can be showcased in many forms, such as metaphors and similes.
A simile is a literary device where the writer employs the words "like" or "as" to compare two different ideas. It can be a strong word to use as a describing word in a simile or metaphor.
- Yesenia and her boyfriend soared high like two doves in love.
- I am as tricky as a fox.
- Angel's heart, like a candy store, has a hundred variations of sweetness.
- Tailaya's eyes sparkle like a crystal ball.
- Selena's hair is like a stormy sea.
- Dorian is acting like a clown.
- I am as red as a tomato when my kids don't study and fail their quiz!
A metaphor is similar to a simile, however this literary device makes a comparison without the use of "like" or "as".
- Mister S's classes are intricate ice sculptures in summer.
- Big Daddy's face is a garden.
- Paola's eyes were endless pools of beauty.
- Dasean's voice was an explosion of sound.
Read more about this topic: Imagery
Famous quotes containing the words forms and/or imagery:
“... it seems to have been my luck to stumble into various forms of progress, to which I have been of the smallest possible use; yet for whose sake I have suffered the discomfort attending all action in moral improvements, without the happiness of knowing that this was clearly quite worth while.”
—Elizabeth Stuart Phelps (1844–1911)
“The Dada object reflected an ironic posture before the consecrated forms of art. The surrealist object differs significantly in this respect. It stands for a mysterious relationship with the outer world established by man’s sensibility in a way that involves concrete forms in projecting the artist’s inner model.”
—J.H. Matthews. “Object Lessons,” The Imagery of Surrealism, Syracuse University Press (1977)