Reception
In his on-line Film Comment review, critic Michael Rowin judged the volume as "one of the great documents of Fellini in his own words, as well as a beautiful photographic journey through his cinema".
Publishers Weekly also reviewed the book favorably, describing the page designs by Brankica Kovrlija as "beautiful... festooned with torn-paper effects and flamboyant fonts, a stylish setting to display" quotes from the film transcripts that run "the A-to-Z gamut from actors ('An actor's face and body are more important to me than plot structure'), Anita Ekberg ('a glorious apparition!') and Antonioni, to clowns, death, God, guilt, Hollywood, music, puppets, vagabonds, Visconti and women, 'the source of man's creativity.' As screenwriter Tullio Kezich notes in his foreword, Fellini is a 'matador of words' ".
Reviewers Odell and LeBlanc at Bookmunch wrote: "Flamboyant, witty yet showing signs of insecurity and angst, Fellini is as open as he is defensive. From the flippant ("God may not play dice but he enjoys a good round of Trivial Pursuit every now and again") and the surreal (dreams of Picasso making him omelettes), the moving (his brief epitaph to Nina Rota) and the insightful (the genesis of some of his most beloved projects), Fellini Lexicon has plenty to enjoy either as a straight read or to dip into."
Read more about this topic: I'm A Born Liar: A Fellini Lexicon
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“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
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“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
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