Illustrated Fiction in The 1700s
During the 18th century, fiction was usually published in three volumes. Apart from an occasional portrait or map, fiction was not usually illustrated, as publishers did not commission illustrations for new novels. In the novel The History of Tom Jones, a Foundling, the author Henry Fielding refers to paintings by William Hogarth in order to explain what some of his characters look like.
Illustrations were commissioned for already successful books. These illustrated versions were usually published as limited editions and sold through prior subscription. Henry Fuseli created a single frontispiece for the fourth edition of Tobias Smollett's The Adventures of Peregrine Pickle. Thomas Stothard provided several illustrations for an edition of The Vicar of Wakefield published 30 years after its first publication in 1766.
Near the end of the 18th century, new mechanical techniques allowed pictures to be printed cheaply. Illustrated classics became cheaply available, and were strongly remembered by their readers. John Ruskin was moved by illustrations of Robinson Crusoe crashing into rocks and escaping his wreck. Charles Dickens remembered the illustrations in many books more than the prose itself.
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Famous quotes containing the words illustrated and/or fiction:
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“A reader who quarrels with postulates, who dislikes Hamlet because he does not believe that there are ghosts or that people speak in pentameters, clearly has no business in literature. He cannot distinguish fiction from fact, and belongs in the same category as the people who send cheques to radio stations for the relief of suffering heroines in soap operas.”
—Northrop Frye (b. 1912)