Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe l'oeil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to visually suggest an open sky, such as with the oculus in Andrea Mantegna's Camera degli Sposi, or a fictive architectural space such as in the illusionistic cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome.
Read more about Illusionistic Ceiling Painting: Di Sotto in Sù, Quadratura, Development
Famous quotes containing the words ceiling and/or painting:
“Spooky things happen in houses densely occupied by adolescent boys. When I checked out a four-inch dent in the living room ceiling one afternoon, even the kid still holding the baseball bat looked genuinely baffled about how he possibly could have done it.”
—Mary Kay Blakely (20th century)
“This is the essential distinction—even opposition—between the painting and the film: the painting is composed subjectively, the film objectively. However highly we rate the function of the scenario writer—in actual practice it is rated very low—we must recognize that the film is not transposed directly and freely from the mind by means of a docile medium like paint, but must be cut piece-meal out of the lumbering material of the actual visible world.”
—Sir Herbert Read (1893–1968)