Fiction
Stavans’s short stories are included in The One-Handed Pianist (1996) and The Disappearance (2006). One of them, "Morirse está en hebreo," about Jewish life in Mexico at the time of the 2000 presidential election, which appeared in the later anthology, was turned into a movie directed by Alejandro Springall called "My Mexican Shivah." The film was praised by Martin Tsai in the New York Sun ("Lifetimes To Go in Old Mexico." August 29, 2008). Mr. Tsai writes "My Mexican Shivah offers so much profundity that almost every viewer can walk out of the theater with something to mull...Mr. Springall and screenwriter Jorge Goldenberg have so skillfully infused the film with an intriguing story, convincing performances, and a breezy pace that one nearly forgets that the action unfolds almost entirely within the confines of one house. The film's coda may be somewhat anticlimactic because the confrontations do not boil over as anticipated. But, like the rest of the film, it rings utterly true."
The themes in Stavans' fiction range from redemption and revenge to cultural authenticity and political activism. In "A Heaven Without Crows," he imagines Kafka's final letter to Max Brod, suggesting that maybe he shouldn't burn his œuvre. "The One-Handed Pianist" deals with a rare disease affecting a piano concert player, impeding her the use of one hand. In "Xerox Man," written for the BBC, about an Orthodox Jewish thief of rare books, Stavans meditates on imperfection. And in "The Disappearance," about the kidnapping of a famous Jewish stage actor in the Low Countries, Stavans explores the perils of silence. "The Disappearance" serves as the basis of a play he created with the Double Edge Theater Company. The play's premiere was staged at the Skirball Cultural Center in Los Angeles on October 16, 2008 (see Mike Boehm's article "Seeking Haven on Earth." Los Angeles Times October 15, 2008).
His graphic novel "Mr. Spic Goes to Washington" (2008) was hailed by the writer Rigoberto González as "Stavans' latest contribution to a stellar career in literary troublemaking." Mr. González states in the El Paso Times (Texas) "Unlike "Mr. Smith Goes to Washington," the Jimmy Stewart vehicle that inspires the title and premise of this book (a film that, incidentally, did not thrill Congress back in 1939 because of its depiction of a corrupt and self-absorbed branch of government), "Mr. Spic" inhabits a grittier version of this fantasy story line: There really is no place for such a pro-Latino agitator like him in Washington. And so his political career is cut short, though Stavans assures us that the ideas, dreams and visions of a pioneer do not vanish with his martyrdom." ("What If You Voted for the Vato?" El Paso Times October 19, 2008) Elaine Ayala writes in the San Antonio Express-News ""Mr. Spic" delivers Latino history lessons with comedic bows not only to Mr. Smith but Cervantes' Don Quixote, Woody Allen's "Zelig," JFK conspiracy theories, even Bill Clinton...The 110-page book is a quick, entertaining read that will appeal to a wider and younger audience than has read Stavans before. Fans of "The Daily Show with Jon Stewart" and "The Colbert Report" will enjoy its comedic value and caustic satire." ("Idealistic Mr. Spic Shocks and Provokes." San Antonio Express-News July 27, 2008)
Read more about this topic: Ilan Stavans
Famous quotes containing the word fiction:
“Given that external reality is a fiction, the writer’s role is almost superfluous. He does not need to invent the fiction because it is already there.”
—J.G. (James Graham)
“Coincidence is a pimp and a cardsharper in ordinary fiction but a marvelous artist in the patterns of facts recollected by a non-ordinary memorist.”
—Vladimir Nabokov (1899–1977)
“The beginning of human knowledge is through the senses, and the fiction writer begins where human perception begins. He appeals through the senses, and you cannot appeal to the senses with abstractions.”
—Flannery O’Connor (1925–1964)