Igor Kipnis - Musical Career

Musical Career

Following his debut in 1959, harpsichordist, fortepianist, duo-pianist, and clavichordist Kipnis performed in recital and as soloist with orchestras throughout the world, including North, Central, and South America, Western and Eastern Europe, Israel, and Australia.

Igor Kipnis performed as harpsichord soloist with the New York Philharmonic, the Chicago, Pittsburgh, St. Louis, Louisville, Dallas, Denver, Baltimore, Milwaukee, Seattle, Vancouver, Honolulu, and National Symphonies, the Minnesota Orchestra, the Capella Cracoviensis, the Boston Pops, the Munich Philharmonic, the New Amsterdam Sinfonietta, the Los Angeles, St. Paul, Cologne, Israel, New Stockholm, McGill, and Polish Chamber Orchestras, the New York Chamber Symphony, the Smithsonian Chamber Players, the Sinfonia of Sydney, and the Academy of St. Martin-in-the-Fields. His appearances at international and domestic festivals included Bachwoche Ansbach, the Internationale Bachakademie Stuttgart, and Ludwigsburg in Germany, the Bath Festival in Great Britain, Gulbenkian in Portugal, Lanaudière in Canada, the Israel Festival, the Melbourne International Festival of Organ and Harpsichord, the Madeira Bach Festival, Poland's Music in Old Crakow, the Indianapolis Early Music Festival, and Prague Spring International Music Festival.

Kipnis's enormous harpsichord repertoire encompassed not only the traditional 16th through the 18th Century composers but also includes contemporary music and jazz as well. He is especially noted for his entertaining concert-length presentation, The Light and Lively Harpsichord, which samples the full range of the harpsichord repertoire, from Bach to Brubeck, as well as for his informal mini-concerts whose format he has extensively pioneered at college student centers throughout the United States, and, additionally, for his performances and recordings on related early keyboard instruments, the fortepiano and clavichord, and for directing ensembles from the keyboard.

In 1995, he formed a duo with New York pianist, Karen Kushner, internationally performing works for (modern) piano, four hands.

Read more about this topic:  Igor Kipnis

Famous quotes containing the words musical and/or career:

    A pregnant woman and her spouse dream of three babies—the perfect four-month-old who rewards them with smiles and musical cooing, the impaired baby, who changes each day, and the mysterious real baby whose presence is beginning to be evident in the motions of the fetus.
    T. Berry Brazelton (20th century)

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)