History
The first Ig Nobels were created in 1991 by Marc Abrahams, editor and co-founder of the Annals of Improbable Research, and the Master of Ceremonies at all subsequent awards ceremonies. Awards were presented at that time for discoveries "that cannot, or should not, be reproduced". Ten prizes are awarded each year in many categories, including the Nobel Prize categories of physics, chemistry, physiology/medicine, literature, and peace, but also other categories such as public health, engineering, biology, and interdisciplinary research. With the exception of three prizes in the first year (Administratium, Josiah Carberry, and Paul DeFanti), the Ig Nobel Prizes are for genuine achievements.
The awards are sometimes veiled criticism (or gentle satire), as in the two awards given for homeopathy research, prizes in "science education" to the Kansas and Colorado state boards of education for their stance regarding the teaching of evolution, and the prize awarded to Social Text after the Sokal Affair. Most often, however, they draw attention to scientific articles that have some humorous or unexpected aspect. Examples range from the discovery that the presence of humans tends to sexually arouse ostriches, to the statement that black holes fulfill all the technical requirements to be the location of Hell, to research on the "five-second rule", a tongue-in-cheek belief that food dropped on the floor will not become contaminated if it is picked up within five seconds.
In 2010, Andre Geim became the first person to receive both the Nobel and an individual Ig Nobel prize.
Read more about this topic: Ig Nobel Prize
Famous quotes containing the word history:
“It is my conviction that women are the natural orators of the race.”
—Eliza Archard Connor, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 9, by Susan B. Anthony and Ida Husted Harper (1902)
“Throughout the history of commercial life nobody has ever quite liked the commission man. His function is too vague, his presence always seems one too many, his profit looks too easy, and even when you admit that he has a necessary function, you feel that this function is, as it were, a personification of something that in an ethical society would not need to exist. If people could deal with one another honestly, they would not need agents.”
—Raymond Chandler (1888–1959)
“The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (1935–1994)