Theatre
His work in the theatre includes: -
- Truffaldino, The Servant of Two Masters by Carlo Goldoni. Directed by Martin Duncan at the Richmond Theatre (1982)
- Deemer,Winding the Ball by Alex Finlayson. World premiere directed by Greg Hersov at the Royal Exchange, Manchester (1989)
- Joseph Surface,The School for Scandal by Richard Brinsley Sheridan. Directed by Phyllida Lloyd at the Royal Exchange, Manchester (1990)
- Oliver,Doctor Heart by Peter Muller. British premiere directed by Braham Murray at the Royal Exchange, Manchester (1991)
- The Fool, King Lear. Directed by Greg Hersov at the Royal Exchange, Manchester (1999)
- George, Who's Afraid of Virginia Woolf by Edward Albee at the Liverpool Playhouse (2005)
- Charles Guiteau, Assassins by Stephen Sondheim. Diredcted by Nicolai Forster at the Crucible Theatre, Sheffield (2006)
- Count Albafiorita,Mirandolina by Goldoni. Directed by Jonathon Munby at the Royal Exchange, Manchester (2006)
- George Putnam, Take Flight by David Shire and Richard Maltby. Directed by Sam Buntrock at the Menier Chocolate Factory (2007)
- Lickcheese, Widowers' Houses by George Bernard Shaw. Directed by Greg Hersov at the Royal Exchange, Manchester (2009)
- Horace Vandergelder, Hello Dolly. Directed by Timothy Sheader at the Open Air Theatre, Regent's Park(2009)
- Paul Hammond, The Power of Yes by David Hare. Directed by Angus Jackson at the Royal National Theatre (2009)
- Alfred Doolttle, Pygmalion by George Bernard Shaw. Directed by Greg Hersov at the Royal Exchange, Manchester (2010)
- Chris, Mogadishu by Vivienne Franzmann. World premiere directed by Matthew Dunster at the Royal Exchange, Manchester (2011)
- Touchstone,As You Like It. Directed by Greg Hersov at the Royal Exchange, Manchester (2011)
- Arturo Ui,The Resistible Rise of Arturo Ui. Directed by Walter Meierjohann at the Nottingham Playhouse (2011)
Read more about this topic: Ian Bartholomew
Famous quotes containing the word theatre:
“The theatre is a gross art, built in sweeps and over-emphasis. Compromise is its second name.”
—Enid Bagnold (1889–1981)
“... in the happy laughter of a theatre audience one can get the most immediate and numerically impressive guarantee that there is nothing in one’s mind which is not familiar to the mass of persons living at the time.”
—Rebecca West (1892–1983)
“A good drama critic is one who perceives what is happening in the theatre of his time. A great drama critic also perceives what is not happening.”
—Kenneth Tynan (1927–1980)