Reception
In his book Country music culture: from hard times to Heaven (1995), Ellison stated, "in the early 1990s, when ambiguity in romantic relationships accompanies changing expectations for both men and women, this song demonstrates Dolly Parton's appeal as a songwriter in the pop music market." Ken Knight, author of The Midnight Show: Late Night Cable-TV "Guy-Flicks" of the 80's (2008), commented that Parton is the only singer who can sing "I Will Always Love You" and "make it memorable". Writer Paul Simpson criticized the singer, stating that the track was only written to "soften the blow" of Parton and Wagoner's split. On its first release, "I Will Always Love You" reached number four in Canada and number one on the Billboard Hot Country Songs, becoming one of the best selling singles of 1974.
Around the time the song reached number one on the country charts, Elvis Presley indicated that he wanted to cover the song. Parton was interested until Presley's manager, Colonel Tom Parker, told her that it was standard procedure for the songwriter to sign over half of the publishing rights to any song Elvis recorded. Parton refused, and that decision is credited with helping to make her many millions of dollars in royalties from the song over the years. After being re-released in 1982, the track once again peaked at number one on Hot Country Songs, making Parton the first artist ever to earn a number one record twice with the same song. After recording a duet with Vince Gill in 1995, "I Will Always Love You" re-entered the Billboard chart and peaked at number 15.
Read more about this topic: I Will Always Love You
Famous quotes containing the word reception:
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)