I Predict A Clone: A Steve Taylor Tribute

I Predict a Clone: A Steve Taylor Tribute is a various artists album released in 1994. The album is a tribute to the Christian music artist Steve Taylor.

The music is in a variety of styles which generally reflect the artist which recorded the track. Taylor himself took no part in the production of the project, and opted to donate all proceeds to the Jesus People USA. He also stated that he liked the new versions better than his own, and in later concerts he began emulating the reworked styles of some songs.

Read more about I Predict A Clone: A Steve Taylor Tribute:  Track Listing

Famous quotes containing the words predict, steve, taylor and/or tribute:

    It is not always possible to predict the response of a doting Jewish mother. Witness the occasion on which the late piano virtuoso Oscar Levant telephoned his mother with some important news. He had proposed to his beloved and been accepted. Replied Mother Levant: “Good, Oscar, I’m happy to hear it. But did you practice today?”
    Liz Smith (20th century)

    Y’know plenty of people, in their right mind, thought they saw things that didn’t exist, y’know, like flying saucers. The light was just right, and the angle and the imagination. Oh boy, if that’s what it is, then this is just an ordinary night. You and I are going to go home and go to sleep and tomorrow when we get up that sun’s gonna shine. Just like yesterday. Good ol’ yesterday.
    —Theodore Simonson. Irvin S. Yeaworth, Jr.. Steve Andrews (Steven McQueen)

    I counted two and seventy stenches,
    All well defined and several stinks!
    Ye Nymphs that reign o’er sewers and sinks,
    The river Rhine, it is well known,
    Doth wash your city of Cologne;
    But tell me, Nymphs! what power divine
    Shall henceforth wash the river Rhine?
    —Samuel Taylor Coleridge (1772–1834)

    His meter was bitter, and ironic and spectacular and inviting: so was life. There wasn’t much other life during those times than to what his pen paid the tribute of poetic tragic glamour and offered the reconciliation of the familiarities of tragedy.
    Zelda Fitzgerald (1900–1948)