I Only Want To Be With You - Background

Background

Recorded by Dusty Springfield while she was still a member of The Springfields, the song was released in November 1963, three weeks after The Springfields' final concert. The recording session took place at Olympic Studios Carton Street arranged and conducted by Ivor Raymonde and recorded by engineer Keith Grant. It was a popular success, reaching #4 UK, #12 US, #6 Australia, and #21 Canada. In the US, she was the second artist of the British Invasion, after the Beatles, to have a hit, entering the Billboard chart at #77 in the last week of January 1964 (the Beatles having "She Loves You" at #69 and "I Want to Hold Your Hand" at #3).

Raymonde's arrangement is unmistakable with its relentless "ticker-ticker" beat and cascading drum rolls, full-on choirs and "Tower of Power" horn section pitched against soaring rock strings. It set the production standard for Springfield's later hits, such as "Stay Awhile" or "Little by Little". Springfield also recorded the song with an almost identical arrangement in German, with the title "Auf dich nur wart' ich immerzu".

The song was performed by Springfield on the first ever edition of the BBC's Top of the Pops on January 1, 1964.

The song was re-released as a 7" & 12" single (see cover in infobox) in 1988 coinciding with its use in a soft-drink commercial, and peaked at #83 in the UK.

Read more about this topic:  I Only Want To Be With You

Famous quotes containing the word background:

    I had many problems in my conduct of the office being contrasted with President Kennedy’s conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didn’t approve of, they would always feel that President Kennedy wouldn’t have done that.
    Lyndon Baines Johnson (1908–1973)

    ... every experience in life enriches one’s background and should teach valuable lessons.
    Mary Barnett Gilson (1877–?)

    Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.
    Henry David Thoreau (1817–1862)