Production
"I Married Marge" was written by Jeff Martin and directed by Jeffrey Lynch. It was the second flashback episode of The Simpsons and a sequel to the previous one, "The Way We Was", which tells the story of how Homer and Marge met in high school. Executive producer Sam Simon was concerned that the writers were being "inefficient" with the episode; he thought the three plots of Homer and Marge's marriage, the birth of Bart, and Homer getting his job should have been extended into three episodes instead of one.
The staff were concerned over the animation of the characters' eyes in the episode, as the pupils were larger than normal, making the characters look "stoned", and the eyeballs were "too round" and large. The animation artists at the animation studio in South Korea, where much of the animation process takes place, had begun stenciling the eyes with a template, which according to Lynch resulted in "strangely round eyes which look a little too big sometimes and much too perfect. Which is very un-Simpsons like." Marge was designed with shorter hair in the flashback sequences to make her appear younger. Lynch thought it was nice to see Marge in a "younger, more attractive mode, and sort of watching her progress through pregnancy."
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Famous quotes containing the word production:
“To expect to increase prices and then to maintain them at a higher level by means of a plan which must of necessity increase production while decreasing consumption is to fly in the face of an economic law as well established as any law of nature.”
—Calvin Coolidge (1872–1933)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)