Critical Responses
In Dwight Macdonald On Movies, Macdonald includes a brief five-page review of I Lost It at the Movies. While he states in the beginning of his review that he has, on the whole, favorable sentiments towards the book, he nevertheless criticizes Kael for being "stronger on the intellectual side than on the aesthetic side" as well as her persistence in quoting other critics out of context. In the process, Macdonald confutes some of the assertions Kael makes about his own opinions regarding certain movies.
Dwight Macdonald writes:
| “ | What I like especially about Miss Kael's book is that it is written from the outside. The trouble with most film criticism today is that it isn't criticism. It is, rather, appreciation, celebration, information, and it is written by intellectuals who have come to be "insiders" in the sense that they are able to discourse learnedly about almost any movie without thinking much about whether it's any good - the very question must strike them as a little naive, and irrelevant - because they see it as a greater, or lesser, manifestation of the mystery, the godhead of Cinema. | ” |
Nevertheless, Macdonald goes on to say that some of the quotes that Kael utilizes in her reviews are often used incorrectly especially in regards to him, creating a distorted view of the opinions he had on certain movies such as Jules and Jim. He also questions the validity of some of her assessments of a few movies, including Hiroshima Mon Amour, 8½, and Last Year in Marienbad, stating that she is "perversely literal-minded" and comments upon "her ascetic insensibility to the sensual pleasures of cinema...when she dislikes the literary content." When Kael ponders in the book "it difficult to understand why Dwight Macdonald with his dedication to high art sacrifices his time to them," Macdonald contends that he has always considered movies to be a high art. This, in a way, highlights the differences in their perspectives on movies: Pauline Kael sees movies as a fusion of pop and art elements (a mixture of lowbrow and highbrow), while Macdonald sees it in more highbrow terms. On the whole, Macdonald seems to respect her critical acumen, but not her methods.
A more adverse reaction comes from the auteurist Andrew Sarris, mainly as a result of the essay '"Circles and Squares", which was originally published in Film Quarterly. Sarris's reaction was in response to Kael's denunciation of the Auteur theory's merits, and has, in later years, occasionally jabbed at Kael's work. Examples of his critical observations are available in his books, e.g., The Primal Screen and Politics and Cinema. With the exception of "Circles and Squares", Kael has rarely responded. Notwithstanding Kael's unresponsive silence, this has gone down in film lore as the Sarris-Kael feud.
Read more about this topic: I Lost It At The Movies
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